Some were ‘garage’, but with a little more attention to detail others shifted to ‘bedroom’ in the sense of that particular room’s increased role as the home of creating and listening to music compared to more communal household spaces. Artists like Wilco, Neutral Milk Hotel, The Microphones and The Strokes were all leading the ‘indie’ scene, and had all mastered the homemade sound. This album endures as maybe the first example of ‘indie-net’. This is Vespertine at its most sublime, with no detail lost even as you drift to sleep. Why travel to a loud, corporate music store, when you could just download and silently listen to Vespertine without leaving your bedroom? I often listen to it resting in bed, with headphones on and the volume turned down as low as possible. The result is quiet, experimental, and comfortable with a kind of alien but intimate feel of file sharing built into the sound. She composed and mastered the sound of her album Vespertine, with the headphone listening Napster user in mind, meticulously designing softer, already compressed sounds that she thought would be minimally impacted by the file sharing process. Aside from the technical details, this consideration also came to affect the music on an artistic level Björk being one of the first artists to embrace it. Digital music was already well established in the form of CDs, and their formatting crossed over to file sharing relatively well but with increased frequency of conversion, compression, uploading and downloading, it didn’t take long for artists to have to take this into account in producing and mastering music. digital debate was relatively young, and commonly thought that digital ‘handling’ of the music files shared on the platform compromised audio quality. Launched in 1999, Napster was the first peer-to-peer online file sharing platform, it was huge, and deeply changed the way we share music.Īs well as putting pressure on major music labels to protect their sales, the culture surrounding the use of Napster was influential in and of itself. It wasn’t until widespread piracy that the internet was established as the global music distribution platform we know today. There was no MTV, it wasn’t sort of wall to wall blanket music.Īs early as 1993 you could buy and download music files online, but like most of the pre-Google internet, this was just a new gimmicky proof of concept for a computer network. It was very hard to hear music when I was younger, you know? When I was really young, you had to tune into AFM radio to hear the American records. I wanted to be a musician because it seemed rebellious, it seemed subversive, it felt like one could affect change to a form. You could theoretically run an entire career through only the internet so no wonder we are now at the stage of fictional TikTok influencer personalities that are in fact scripted, employed characters. Now, any combination of Youtube channel, Patreon, Discord server, live stream, Subreddit, Podcast, merch store or Only Fans is commonly required to cultivate a full online identity. Consequently, it is an extremely internet focused time to have a career in entertainment media.įive years ago it made sense to have a Twitter, Facebook and Instagram page to at least promote whatever your main content stream was. The internet is the culmination of telephone, radio, television, printing press, library, postal system, and cinema, taking functions from each and amalgamating them into this digital pandemonium.
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